Il caos #2 - Le migrazioni / Venezia - dal 27 agosto al 19 settembre 2010

Added on by Alex Mirutziu.

IL CAOS is an exhibition project, begun in 2009 and promoted by San Servolo Servizi in collaboration with the Province of Venice, which will unfold over a period of three years, with three exhibitions addressing issues central to the life of our society: work, migration and conflict.

The trilogy will be developed within LightOn San Servolo – a project dedicated to photography and video art, held on the island – and takes its name from the column by Pier Paolo Pasolini published in the weekly magazine Tempo from the 6th August 1968 to the 24th January 1970, and dedicated to him.

This year the second part of the project, focused on migration, sees the work of seven artists, Italian and international: Theo Eshetu presenting his video installation set in Etiopia Trip to Mount Zugualla, and images from backstage; Michael Fliri with his video Early one morning with time to waste; H.H.Lim with video work and photos from the series Vittorio Square; Paolo Meoni with video work and photos from the series Rette Convergenti; Alex Mirutziu with the photographic series The colour of my middle class; Ivana Spinelli with the installation GPU Pass Clandestino; and Driant Zeneli with the video This will be my space!.

On display will also be the documentary video Il futuro sospeso, produced by NGO Progettomondo Mlal, directed by Annamaria Gallone: this year this will be a sort of open window onto reality which the exhibition whishes to open up and with which the public is invited to meet.

CATALOGUE

Alex Mirutziu in NY Arts Magazine

Added on by Alex Mirutziu.



Controversial Customs
Summer 2010 - Romania
Daria D. Pervain and Marcel Janco


First and foremost I treat my body as a vessel, as a medium, and then as a space of resistance. I used to name it revolution-wise instrument embedded with political meaning and transversal power, transversal meaning any force physical or ideological, friendly or antagonistic that inspires emotional, conceptual and/or material deviations from the established norms.

In this respect I consider a dense and risky business to take my own body as the main place of confrontation and communication with my own memory and suffering and most of all to articulate this in a conceptual way and so forth.

In my recent work, I try to operate within notions that emerge and coagulate in the mind and perform beyond the spectator’s understanding. Queer entails these sub-notions that cause the possibility for art to explode outward and more than before my work furthers these into language.—Alex Mirutziu

Alex Mirutziu is a Romanian artist whose work cuts across multiple domains, including conceptual writing, performance, photography, and video installations. His work endows social processes with ephemeral emergence as the man constructs in an attempt to reconfigure the relation between information and form, psychophysical language and content, challenging origins and meaning. After the disturbing solo performance, Atrocity Exhibition, in 2004, he continued his research at the University of Fine Arts in Cuenca, Spain, where his performative approach resulted in the censorship of one of his projects, which provoked strong reactions among artists and scholars in both Spain and Romania. Starting in 2004, the investigation of the real began when a new anatomical specimen emerged, Lick&Destroy, a corrupt and ambiguous approach to identity, with which Mirutziu produced himself distinctively in discontinuous, contradictory realities. In 2007, the English director, John Britton, formed an experimental master class with eight heterogeneous performers, one of which was Alex Mirutziu. Shortly after the physically intensive training, he toured England with his social-comment performance, Leave Gordon Brown Alone, produced in Liverpool, Leeds, and Berlin. He received international recognition in Madrid and Paris at Optica Video Art Festival, and was awarded Best Independent Artist. He frequently works with Grit Hachmeister, VIP group, Arandjel Bojanovic, Liviana Dan, and Noa Treister. Following his Manifest of Flaw show at Sabot in October, Alex Mirutziu presented a solo project at Rüdiger Schöttle in Munich.



Photo: 
Alex Mirutziu, Runway spill #1, 2009. HD video 02.19
min transferred on video DVD, screened on
81.5 x 61.5 x 6.5 cm LCD screen. Courtesy of the artist
and Rüdiger Schöttle Gallery.

ART PRIDE. Gay Art from Poland by Paweł Leszkowicz - out now

Added on by Alex Mirutziu.




The bilingual album of art selected by Paweł Leszkowicz ART PRIDE. Gay Art from Poland will be on sale as of mid-June. It can now be pre-ordered on our website www.abiekt.pl. For more information please visit our blog www.art-pride.blogspot.com.

The publication coincides with the opening of a related exhibition, Ars Homo Erotica at the
National Museum in Warsaw curated by Paweł Leszkowicz. Unlike the exhibition of homoerotic art, the album presents gay art which both portrays desire for the male body and has a political impact, undermining the homophobic and heterocentric reality through art. With its local and political references, ART PRIDE is a valuable complement to the museum exhibition.
The album uncovers what has been concealed in Polish art: the very fact that gay art has been made in Poland for decades, not only after the transition, but also in the previous political system. 

ART PRIDE presents gay art made in Poland since the 1960s, starting with largely forgotten artists: Krzysztof Jung and Krzysztof Niemczyk. The most contemporary artists featured in the album include well-known names: Mitoraj, Radziszewski, Stasys. And yet gay art from Poland is made both by popular, recognised artists and by many others, less familiar to the general public. The album presents 36 artists and contains around 150 illustrations.

The many full-colour illustrations are accompanied by Paweł Leszkowicz’s introductory essay, which discussed the history and research methodology of gay art and introduces the artists who have made gay art in Poland. Leszkowicz rediscovers works by well-known and unknown artists and reveals their gay, emancipatory and affirmative potential. In the author’s own words:

As the title ART PRIDE has it, this album takes the affirmative emancipatory perspective: too
gay is good. Gay aesthetics is one of many equally important styles and narrations of
Postmodern culture and democratic society. More than that, depending on the social and
political context, it often unlocks the avant-garde revolutionary potential of art. In the Polish
context, where homophobia is part of official politics and society is strongly heteronormative,

www.abiekt.pl 
/ www.art-pride.blogspot.com

gay culture has a subversive potential. This is why it is important to write about the aesthetics
and politics of gay art in Poland. The book is available in two differently priced versions: as a paperback and a hardcover (cloth in a dust jacket). We want Polish art to reach beyond borders so the text in the album is published in Polish and in English.
As usual with our publications, we hope that word and image can change the reality. ART PRIDE. Gay Art from Poland is an ambitious and innovative project aiming to present art which is not always appreciated by critics, and even then often castrated by interpretations which exclude the gay perspective on art. 

Join us at the book promotion on 17 June, 8pm, Mała Scena, TR Warszawa (8, Marszałkowska St.). 
The special guests include the author Paweł Leszkowicz, the editor, and artists featured in the album.

The event will be hosted by Mike Urbaniak.

Ars Homo Erotica / 11 June – 5 September 2010

Added on by Alex Mirutziu.

ARS HOMO EROTICA

Curator: Paweł Leszkowicz

This exhibition is contemporary and historical, erotic and political. The title designates homoerotic art related to same-sex desire and love. Ars Homo Erotica is immersed in the tradition of culture while touching on the current politics of minority rights. It combines myths and the history of art with the contemporary and the debate on the condition of democracy. It builds on the philosophy of eroticism as an experience formative to humanist ideas and their affirmation of the joy of life and sex, even in the face of repression.

The exhibition proposes a different perspective on the history of culture, the collection of the Museum, and the art of Central and Eastern Europe. Works from the collection of the National Museum in Warsaw as well as works of specially invited contemporary artists survey the history of culture, from Antiquity until the present, from the point of view of the homosexual imagination. This perspective points to a different canon of art and love in Western civilisation and liberates it of the heteronormative filter and taboo. The homoerotic is taken as an aesthetic and erotic quality present in visual representation. The selection criterion is not the artist’s orientation, it is the theme or context of the work.

To select works from the perspective of female and male homoerotic iconography is to queer the museum collection, to reach areas of the unconscious and to renew the methods of their presentation. It also aims to uncover and accentuate many forgotten artefacts and to highlight neglected meanings.

The forms of male and female homosexuality have differed throughout history, a diversity of universality. Hence the transhistoric and eclectic profile of the presentation which introduces a world of images full of allusions, codes and subtexts. They were the only means of expressing homosexuality in times of oppression. The exhibition affords the opportunity to recall double meanings of mythological and biblical stories.

In order to systematise the multitude of representations and metaphors, the exhibition has been divided into thematic sections which juxtapose historical and contemporary works of art. This creates a narration with a graded politics, erotics, and aesthetics.

Let us enter the homoerotic universe but never forget that eroticism and desire are more than the senses and the body: they are aspects of the inner life of human beings, the history of culture, and the politics of mores. All these layers are presented in the exhibition.

The exhibition begins in the main lobby. Time of Struggle is devoted to art engaged in the politics of sexuality and human rights. The visitor is introduced to the history of culture through the current political situation in Central and Eastern Europe and will thus bear in mind the social context when journeying across the various dimensions of the homoerotic. The social context has always been controversial, as it is today, and art has always had to face norms imposed on sexual diversity.

Homoerotic Classicism is a gallery of Classical and Classicist male nudes and portraits reminiscent of antique gods and heroes of homosexual myths and stories. Classicism was an aestheticinspired by the art of ancient Greece and Rome. This is where homosexual imagination of European culture originated. Homoerotic Classicism takes us to the roots of Western civilisation, art, erotics, and democracy.

Male Nude presents various forms of the sensuous male nude, from 19th century academic studies and realist painting to contemporary gay art.

Male Couples and Ganymede accentuate the Romantic and erotic iconography of male couples in literal contemporary works and in the metaphorical, mythological and religious art of the past. We witness a homo-mythology of relationships: Hyacinth and Apollo, Achilles and Patroclus, David and Goliath, Zeus and Ganymede.

Saint Sebastian is the section devoted to the greatest homoerotic icon of Christianity and its impersonations, from Renaissance painting to video art.

Lesbian Imaginarium is a collection of paintings of different femininity throughout the history of art. It presents the continuum of female homoeroticism in visual culture from Sappho, figured on antique vases, to contemporary portraits of lesbian couples.

Transgender is the section of the exhibition relating to concepts and representations of identities located between the genders, transgressing the normative, binary gender system. Works of art take us from mythical androgyny to contemporary masquerades and politics of gender subversion.

Archive presents Polish posters for works of famous homosexual film and theatre directors, playwrights, and artists.

Paweł Leszkowicz

translated by Marcin Łakomski

GAZETA is reflecting Ars Homo Erotica exhibition:

Alex Mirutziu in DISPLAYING/DISPLACED by Roma - The Road to Contemporary Art

Added on by Alex Mirutziu.




Alex Mirutziu's video "Runway Spill #1", will be screened in DISPLAYING/DISPLACED section of Roma - The Road to Contemporary Art: you can find direct info here:

► www.romacontemporary.it/it/03539/page.html

Alex will present his extraordinary performance after traumatic accident on May 25, 2010 at The Romanian Academy in Rome, wearing George Rusalin, Smaranda Almasan, Alex Nicolae, and shoes by Dana Iuga.

► www.accadromania.it/home.html
► www.info.roma.it/evento_newsletter.asp?eventi=18182
► www.romacontemporary.it/it/03539/page.html