EN

Born in Sibiu in 1981, the Romanian artist Alex Mirutziu creates technologies of ephemeral reciprocity. Through his films, sculptures, and performances, he confronts that which is different within us through strategic actions that bring about the illusion of living by complicating order. In his projects, the premise is that of identity as a problem and a task for ourselves to transgress, hoping for peace at the price of constant uneasiness. The artist often touches upon the theme of the difficulty of dying and the necessary engagement with one’s own ruination, or déchirure, understood as a civil responsibility to transcend a personal psycho-physical predicament.

As part of his theoretical practice, the artist has lectured at (The Royal College of Arts, London, Von Kraal Theatre, Estonia, Konstfack, Stockholm, Bezalel University of Art and Design, Tel Aviv) and has collaborated with artists/writers/musicians/designers/philosophers among which, Grit Hachmeister (DE), Elias Merino (ES), Graham Foust (US), Graham Harman (US). His work has been shown at Power Plant, Toronto, Glass Factory Lab, Boda, Mucsarnok Kunsthalle, Budapest, Center for Contemporary Art and National Museum, Warsaw, Museum of Contemporary Art, Bucharest, Kunsthalle Mulhouse, Kunsthalle Winterthur, Kunsthalle Bega, Centre for Contemporary Art, Tel Aviv, Royal Academy of Arts, London, and Venice Biennale.

RO

Născut la Sibiu în 1981, Alex Mirutziu creează tehnologii de reciprocitate efemeră. Prin filmele, sculpturile și performance-urile sale, artistul se confruntă cu ceea ce este diferit în noi prin acțiuni strategice care produc iluzia participării la viață, acceptand complicarea ordinii. În proiectele sale, premisa este aceea a identității ca problemă și sarcină pe care noi înșine trebuie să o transgresăm, sperând la pace cu prețul unei neliniști constante. Artistul abordează adesea tema dificultății de a muri alături de sondarea degradării, sau a deșirării, înțeleasă ca o responsabilitate a trezviei.

Dincolo de activitatea sa artistică, Mirutziu e interesat și de practicile teoretice, colaborând cu artiști, scriitori, muzicieni sau filosofi printre care: Grit Hachmeister (DE), Elias Merino (ES), Graham Foust (US), Graham Harman (US). Proiectele lui au fost prezentate printre altele la Royal College of Arts, London, Von Kraal Theatre, Estonia, Konstfack, Stockholm, Bezalel University of Art and Design, Tel Aviv, Powerplant, Toronto, Mucsarnok Kunsthalle, Budapesta, Centrul de Arta Contemporana si Muzeul National de Arta, Varsovia, Muzeul National, Bucuresti, Kunsthalle Mulhouse, Kunsthalle Winterthur, Kunsthalle Bega, Centrul de Arta Contemporana, Tel Aviv, Royal Academy of Arts, Londra si Bienala de la Venezia.

 

Bio / TAH 29

EN

The Artist and Himself at 29 is a transhistorical genome and hyper-object which operates and co-activates humour and retroactive irony as a way to approach the site of change and agency in the present. One of its lines of enquiry has to do with the notion of closure and with Sartre’s finished product theory which looks at the individual as the heterogeneous project of circumstances. The artist Alex Mirutziu is part of this collection alongside his twenty-nine-year-old self. TAH29 is informed by a museological activity of the artist, as the most unartistic of anything in existence as he, the artist, is continually in for and filling some other body; an observation which only Keats could have made in a letter to Richard Woodhouse. The collective’s gravitational pull comes from the phenomenology of presence and from the notion of reality without presence developed by Graham Harman.

RO

The Artist and Himself at 29 (TAH29) e un genom trans-istoric și un hiper-obiect care operează și co-activează umorul și ironia retro-activă ca moduri de abordare a locului schimbării și acțiunii din prezent. Artistul Alex Mirutziu face parte din acest colectiv împreună cu el însuși la vârsta de 29 de ani. TAH29 se definește printr-o activitate muzeologică a artistul care e cel mai inartistic cu putință, atunci când înlocuiește sau intră în pielea altcuiva, o observație pe care John Keats și-a asumat-o pe deplin atunci când își hașurează existența într-o scrisoare adresată lui Richard Woodhouse. TAH29 respiră fenomenologia prezenței și se lasă gravitată de noțiunea filosofului Graham Harman — realitate fără prezență. 


Born in 1981, Sibiu, Romania

Lives and works in Sibiu, Romania

STUDIED AT

  • University of Arts and Design, Cluj-Napoca, Romania

  • University of Castilla - La Mancha, Cuenca, Spain

  • University of Huddersfield, England

 

SOLO EXHIBITIONS

2024

  • On letting the unnoted be - a treatment, Collective Memory Point Cultural Center, Vad, Cluj County

2021

2019

  • The Unnerving Inches of Being, Sabot Gallery, Cluj-Napoca

  • Gaining in a State of Debt | curator: Nicola Trezzi, Center for Contemporary Art, Tel Aviv

2018

2017

2016

2013

  • Each thought's an instant ruin with a new disease, Sabot Gallery, Cluj-Napoca

2012

  • Film Program: Alex Mirutziu, Sabot Gallery, Cluj-Napoca

  • What is the reality of never?, IASPIS - Lucie Fontaine Studio, Stockholm

2011

  • Time’s own insult | curator: Maja Heuer, Glass Factory Lab, Boda

  • Pending works & Scotopolitic object, Rüdiger Schöttle Gallery, Munich

  • Spending time in relation to usage, Barbara Seiler Gallery, Zurich

2010

2009

  • Manifest of flaw, Sabot Gallery, Cluj-Napoca

2002

  • Marriage or calling for water, Tranzit House, Cluj-Napoca

 

PERFORMANCES

2023

  • Backwards in Pasolini, 5th Art Encounters Biennial, National Museum of Banat - Huniade Castle, Timisoara

  • Intervention is Enough Evidence. Finally, Kunsthalle Praha, Prague / Art Encounters Foundation - ISHO Pavilion, Timisoara

  • The Urgency of the Idea of Closure in Drawing, Cazarma U, Timisoara

2020

  • Towards Exiting a Fold, Kunsthalle Bega, Timisoara

  • Doing Sub Thinking, Quoz Arts Fest, Concrete, Dubai

2019

  • Bye, Bye… Hello!, Centrul de Interes, Cluj-Napoca

  • Placing the out of place, Palace of Culture and Science, Warsaw

  • Bottoms Know It, Center for Contemporary Art, Tel Aviv

2018

  • The gaze is a prolapse dressed in big business, Frac des Pays de la Loire, Carquefou

  • Doing Sub Thinking, Block Universe, Royal Academy of Arts, London

  • The Urgency of the Idea of Closure in Drawing, Art Safari, Bucharest / Kunstverein Ost, Berlin

2017

  • Dignity To The Unsaid, National Museum of Contemporary Art, Bucharest / Centrul de Interes, Cluj-Napoca

2016

  • How soon gone is gone, Wexford Arts Centre, Wexford

  • Stay[s] against confusion, Delfina Foundation, London

2015

  • The Finnish Method, 56th Venice Biennale, Palazzo Correr, Venice

2014

  • Scotopolitic objects#2 for five performers and electroacoustic impromptu (in collaboration with Elias Merino), Center for Contemporary Art, Warsaw

2013

  • Scotopolitic objects#2 for one performer, Sabot Gallery, Cluj-Napoca

  • Improvisation 0 (with Gergo NAGY, Paul Devens, Joris Strijbos), Roodkapje, Rotterdam

  • Camp festival, Tranzit House, Cluj-Napoca

2012

  • Five moments of silence for Pending Work #7, IASPIS – Lucie Fontaine Studio, Stockholm

  • Interview through sculpture (with Razvan Sadean), Spazio Vault, Prato

2011

  • Action is guilt – Method to Rourke, Studio Corte17, Prato

  • History is nothing but muscles in action (with Razvan Sadean), ZDB - Galeria Zé dos Bois, Lisbon

2010

  • Critique on how temples move faster than their shadows, Mihai Nicodim Gallery, Los Angeles

  • When love melted cavalries in our hearts, Eira 33, Lisbon / Temps d’Images Festival, Paintbrush Factory, Cluj-Napoca

  • Feeding the horses of all heroes, Romanian Academy, Rome

  • Remains of the East (in collaboration with Alina Serban, Angelique Lehman), WUK Theatre, Vienna

2009

  • Ping pong for VIP’s (with Alexandra Pirici), Temps d’Images Festival, Sabot Gallery, Cluj-Napoca

2008

  • Leave Gordon Brown alone, East Street Arts, Leeds / DuveGallery, Berlin / Independents Biennial 08, Liverpool

2007

  • The shipwrecked sailor, Laurence Batley Theatre, director: John Britton, Huddersfield

  • Anatomission, Cum2Cut Film Festival, Berlin

2004

  • 24h donation of sperm, Gallery of Fine Arts University, Cuenca

2003

  • Boys first time, International Festival of French Theatre, Sibiu

  • Sorrows of reconstruction, Tranzit House, Cluj-Napoca

  • Missing song, Festival of the Architect, Cluj-Napoca

  • Gym to muscle lethargy, Gong Theatre, Sibiu

  • Atrocity exhibition, Museum of 1989 Revolution, Timisoara

2002

  • Chemical relaxing (in collaboration with Anca Falamas), British Council, Cluj-Napoca

  • Atrocity exhibition, The Slaughter House, Sibiu / Old Casino, Cluj-Napoca

 

GROUP EXHIBITIONS

2024

  • Anybody Home?, The 5th Mediterranean Biennale | curators: Avital Bar-Shay, Belu-Simion Fainaru, WIZO Academy of Design, Haifa

2023

  • HeartBeat 21, National Museum of Contemporary Art, Bucharest

  • Contemporary Drawing in Romania | curator: Raluca Ilaria Demetrescu, Scemtovici & Benowitz Gallery, Bucharest

  • UN/LIVING Gallery - Tangible Art Manifesto, WASP - Working Art Space and Production, Bucharest

  • Lost in the Moment That Follows. The Ovidiu Șandor Collection | curator: Tevž Logar, Kunsthalle Praha, Prague

  • Spark in the Dark | curators: Nathalie Hoyos, Rainald Schumacher, in 'after SCULPTURE / SCULPTURE after', Cazarma U, Timisoara

  • budget zero and a few square meters | curator: Liviana Dan, Dr. Ion Rațiu 2 Street Villa, Sibiu

  • HeartBeat 22, National Museum of Contemporary Art, Bucharest

2021

  • You Feel ~ And Drift ~ And Sing (1-245) | curators: Dragoș Olea, Sandra Demetrescu, Combinatul Fondului Plastic & Switch Lab, Bucharest

  • un/mute | curators: Daina Mattis, Melinda Wang, Undercurrent & Austrian Cultural Forum, New York

  • Mirror, Mirror? Contemporary Selfhood in Romanian Art | curators: Carmen Casiuc, Irina Gerdman, CFHILL, Stockholm

  • Towards a New Community | curator: Avi Lubin, Europe Day 2021, a video art event in public space: Eilat, Haifa, Tel Aviv

  • HeartBeat 20 | curator: Călin Dan, Kunsthalle Bega, Timisoara

  • Private and Public Spaces - A Photo-based Selection from the Balázs–Dénes Collection, Budapest Photo Festival 2021, FUGA - Budapest Center of Architecture, Budapest

  • The Meaning of Sculpture | curator: Liviana Dan, Sector 1 Gallery, Bucharest

  • When in Doubt, Go to a Museum | curator: Tevž Logar, City Museum of Ljubljana

2020

  • 12 Years After. A Survey of Romanian Art in 180 Works, National Museum of Contemporary Art, Bucharest

  • The Promise: Artists to Benefit CCA Tel Aviv | curators: Nicola Trezzi, Thomas Rom, Center for Contemporary Art Tel-Aviv

  • Wounded Identity | curator: Ileana Pintilie, Anca Poterasu Gallery, Bucharest

  • The Meaning of Sculpture | curator: Liviana Dan, Kunsthalle Bega, Timisoara

  • Il faut cultiver notre jardin | curator: Ovidiu Leuce, Centrul de Interes, Cluj-Napoca

2019

  • Because in our dreams we took risks | curator: Diana Marincu, Art Encounters Foundation, Timisoara

  • Changing Places - Works by Artists of Centrul de Interes, The Institute of Contemporary Art, Dunaújváros

  • La Brique, the Brick, Cărămida | curator: Ami Barak, La Kunsthalle Mulhouse, Mulhouse

  • Ex-East. Past and recent stories of the Romanian avant-gardes | curator: Ami Barak, Espace Niemeyer - Siège du Parti communiste français, Paris

2018

  • 5779. 4/12 - Alex Mirutziu & Pär Andersson, But as a document | curator: Nicola Trezzi, BUILDINGBOX, Milan

  • Once More Into the Grey, UNA Gallery, Piacenza

  • Manufacturing Nature / Naturalizing The Synthetic | curator: Diana Marincu, Frac des Pays de la Loire, Carquefou

  • De Rerum Natura | curators: Călin Man, Ileana Selejan, Arad Museum Complex - Department of Natural Sciences, Arad

  • A World Has Still To Be Built | curator: Diana Marincu, Art Encounters Foundation, Timisoara

  • Travelling with a blind map | curator: Flóra Gadó, Kisterem Gallery, Budapest

  • Art on Stage | curator: Hervé Mikaeloff, Central Pavilion, Art Safari Bucharest

  • KEDEM-KODEM-KADIMA | curator: Nicola Trezzi, Center for Contemporary Art Tel-Aviv

  • Double Heads Matches | curators: Diana Marincu, Zsuzsanna Szegedy-Maszák, New Budapest Gallery, Budapest

2017

  • The Impossible Garden | curator: Liviana Dan, Jecza Gallery, Timisoara

2016

  • I'm the Invisible Man | curators: Diana Marincu, Anca-Verona Mihulet, National Museum of Contemporary Art, Bucharest

  • Few Were Happy with their Condition | curator: Olga Stefan, Gallery 400 - University of Illinois at Chicago

2015

  • Appearance and Essence, 1st Art Encounters Biennial | curators: Nathalie Hoyos, Rainald Schumacher, Timco Halls, Timisoara

  • Few were happy with their condition | curator: Olga Stefan, Motorenhallen, Dresden

  • Inventing the Truth, on Fiction and Reality, 56th Venice Biennale | curator: Diana Marincu, Romanian Institute for Culture and Research in Humanities, Venice

  • Few Were Happy with their Condition | curator: Olga Stefan, Kunsthalle Winterthur, Winterthur

2014

  • A few grams of red, yellow, blue | curator: Ewa Gorzadek, Center for Contemporary Art, Warsaw

  • Through the Collector’s Eye. Works of the Generation 2000 from Cluj in Three Romanian Collections, The Office, Cluj-Napoca

2012

  • European travelers, Art from Cluj today | curator: Judit Angel, Műcsarnok - Kunsthalle, Budapest

  • A brand new baby carriage standing there on the porch, Barbara Seiler Gallery, Zurich

  • Play dice would be nice, Gaudel de Stampa, Paris

  • Works and interview through sculpture, Spazio Vault, Prato

  • Rearview mirror | curator: Christopher Eamon, Art Gallery of Alberta, Edmonton

2011

  • Rearview mirror | curator: Christopher Eamon, Power Plant, Toronto

  • Pulse within the veil | curator: Georgiana But, Tranzit House, Cluj-Napoca

  • Beyond the liminal experience | curator: Francesco Scasciamacchia, Spazio Vault, Prato

  • Object-orientation, Cerritos Art Gallery | curator: Joseph Cervantes, Norwalk

2010

  • Self-portraits | Krokus Gallery, Bratislava

  • Il Caos #2, Le Migrazioni | curator: Raffaele Gavarro, Island of San Servolo, Venice

  • Ars homo erotica | curator: Pawel Leszkowicz, National Museum, Warsaw

2009

  • Exploring the return of repression | curator: Razvan Ion, Pavilion—Centre for Contemporary Art and Culture, Bucharest

  • Message in a bottle, The Stanley & Audrey Burton Gallery, Lumen Evolution Festival, Leeds

  • From the periphery | curator: Noa Treister, Dom Omladine, Belgrade

2008

  • Optica, International Festival of Video Art | Paris, Madrid, Gijon

  • Sex in transition | curator: Noa Treister, Kucevo

  • What is white? | curator: Jenny Lee, Piera Ravnikar, Ada Street Gallery, London

2007

  • The eye of the beholder | curator: Liviana Dan, Brukenthal Museum, Sibiu

  • A show that took the place of a star, Showroom Ottakring, Vienna

  • No hope no fear | curator: Alex Mirutziu, Balanta Warehouse, Sibiu

2004

  • Desire in the making | curator: Alex Mirutziu, University of Fine Arts, Cuenca

2002

  • Head_Start | curator: by Liviana Dan, Brukenthal Museum, Sibiu

 

RESIDENCIES AND GRANTS

2024

  • Workshop Foundation, Budapest - Hungary

2023

  • ”Remarkable Romania” - Cluj Cultural Centre, Vad, Cluj County - Romania

2022

  • Uferstudios Für Zeitgenössischen Tanz, Berlin - Germany

  • ”Art Lives Here” - NYX Hotels, Warsaw - Poland

2021

  • Undercurrent, New York - USA

2019

  • Outset, Tel Aviv - Israel

2018

  • Frac des Pays de la Loire, Carquefou - France

2016

  • The Centre For Dying On Stage #3, Cow House Studios, Wexford - Ireland

  • Delfina Foundation, London - England

2015

  • Art Encounters Foundation, Timisoara - Romania

2014-2015 

  • IASPIS Konstnärsnämnden, Stockholm - Sweden

2011

  • The Glass Factory Lab, Boda - Sweden

  • ZDB - Galeria Zé dos Bois, Lisbon - Portugal

2010

  • Eira 33, Lisbon - Portugal

2009

  • Colectiv A, Cluj-Napoca - Romania

 

PUBLICATIONS

  • “Lost in the Moment That Follows. The Ovidiu Șandor Collection”, published by Kunsthalle Praha, [catalogue], 2023

  • Valentina Iancu, ”Queer Culture in Romania (IV). Tracing Queer Narratives in Romanian Time-Based Media Art”, Revista ARTA, March 21, 2023

  • Kilobase Bucharest, ”Muzeul Culturii Queer”, Revista PROPAGARTA, #3 / 2023, p. 64-68

  • Valentina Iancu, ”Tracing Queer Narratives in Romanian Time-Based Media Art”, East European Film Bulletin, vol. 128, October 2022

  • Adriana Oprea, ”Beyond the Graven Image”, Revista ARTA, #50-51 / 2021, p. 80-85

  • Raluca Oancea (Nestor), ”The Infection of Identity in the Age of the Body Docile / Quarantined / Without Organs”, Revista ARTA, March 11, 2021

  • Ada Muntean, “Meaning, Truth, and Vision: The Limits and Openings of a Visual Medium in a Curatorial Project”, Revista ARTA, March 3, 2021

  • Julien Delagrange, “Contemporary Art in Cluj. A Critical Overview”, Contemporary Art Issue, January 18, 2021

  • “QAI/RO”, Karol Radziszewski, (ed.) Hecate, 2020, p. 40-45

  • “Romanian Contemporary Art 2010-20. Rethinking the Image of the World: Projects and Sketches”, Adrian Bojenoiu, Cristian Nae, (ed.) Hatje Cantz, 2020, p. 190-193, 204-205

  • ”The Meaning of Sculpture”, (ed.) Universității de Vest, [catalogue], 2020

  • “Il faut cultiver notre jardin”, (ed.) IDEA Design & Print Cluj, [catalogue], 2020

  • Muhammad El-Jachi, “Voicing a Movement”, Canvas Magazine, April/March, 2020, p. 62-65

  • Raluca Țurcanașu, ”What risks did we take in our dreams?”, Revista ARTA, April 22, 2020

  • “Queer!? Visual Arts in Europe”, Anton Anthonissen, Evert van Straaten, Publishers Waanders Uitgevers, Zwolle [catalogue], 2019, p. 315-316

  • Ingeborg Ruthe, ”Rund um die Wahrheit ist das Wahre”, Berliner Zeitung, October 4, 2018 

  • Izabella Scott, ”I'm interested in error, misunderstanding, correction”, interview, Studio International, June 26, 2018

  • Camelia Ciobanu, ”Alex Mirutziu 'Between too soon and too late’ - a window that could take one closer to the essence of things”, Central and Eastern European London Review, May 5, 2018

  • Flora Gado, ”Dignity to the Unsaid”, Artportal, May 14, 2018

  • Flora Gado, ”Dignity to the Unsaid”, Revista ARTA, April 24, 2018

  • Art Encounters, (ed.) Art Encounters Foundation, [catalogue], 2017, p. 214

  • Martina Lolli, ”Comunicare l'esperienza. Alex Mirutziu a Bruxelles” / review / Artribune, October 2017

  • Diana Marincu, ”Being Iris Murdoch. Note pe marginea unei lucrari de Alex Mirutziu”, Poesis International, #1(19) / 2017, p. 184-186

  • Ruxandra Hurezean ”Cred ca avem nevoie de artisti care au raspunsuri ancorate in realitate”, Sinteza Magazine, #31 / August 2016 issue p. 108-111

  • WATCHED! Surveillance, Art and Photography, (ed.) Verlag der Buchhandlung Walther Konig, edited by Louise Wolthers, The Hasselblad Foundation [catalogue], 2016, p. 13, 156-159

  • Roxana Sima, “Pesimisms for Export”, Revista ARTA, August 26, 2015

  • Diana Marincu, La Biennale di Venezia, All The World‘s Futures, Biennale Arte 2015 [catalogue], p. 141

  • ”Inventing the Truth, on Fiction and Reality”, (ed.) IDEA Design & Print Cluj, [exhibition guide], 2015, p. 62-77

  • Open House / IASPIS, The Swedish Arts Grants Committee, 2015, p. 12-13

  • Through the Collector's Eye / Works of the Generation 2000 from Cluj, [catalogue], 2014, p. 48-49

  • Diana Marincu ”The right to opacity”, IDEA arts+society, #44 / 2014, p. 75-79

  • Georgiana Buț, ”Pulse, within the veil”, Revista ARTA, nr. 11, 2014, p. 32-33

  • Alex Mirutziu, "Bureaucracy of objects", C-Print - Journal about Contemporary Art, April 24, 2014

  • Alex Mirutziu, ”Pending Works & Bureaucratic Objects”, (ed.) IDEA, [artist book], 2014

  • Ewa Gorzadek, A Few Grams of Red, Yellow, Blue [catalogue], 2014

  • Jane Neal, Art Cities of the Future: 21st Century Avant-Gardes, (ed.) Phaidon, 2013, p. 78-79

  • Judit Angel, European Travellers - Art from Cluj Today, 2013, p. 188-191

  • George Robescu, ”Alex Mirutziu is not your personal art tailor”, All Hollow, winter issue, 2012, p. 92-101

  • Eugenia La Vita, ”Works and Interview Through Sculpture” / review / Exibart, March 2012

  • Rearview Mirror: New Art from Central & Eastern Europe, (ed.) Canada Cataloguing in Publication, [catalogue], 2011, p. 66

  • Lamono, #76 / 2011, p. 60-63

  • Decat O Revista, #6 / 2011

  • Alex Mirutziu, Pending works & Scotopolitic object, June 2011 [catalogue]

  • Ciprian Muresan, Paintbrush Factory: A snapshot, IDEA Art + Society, #36 -37 / 2011, p. 62

  • Martens Anne, Alex Mirutziu – Mihai Nicodim / review / Flash Art, March – April 2011

  • Spending time in relation to usage, [catalogue], January 2011

  • Pisano Libero Claudio, ”Il Corpo Racconta. O tace”, Gli Altri, [newspaper], August 20, 2010

  • Raffaele Gavarro, ”Il Caos #2 – Le Migrazioni”, [catalogue], 2010

  • Daria D. Pervain, Marcel Janco, ”Controversial Customs”, NY Arts Magazine, August 2010

  • Ars Homo Erotica, (ed.) National Museum of Warsaw, [catalogue], 2010, p. 24

  • Barbara Gartner, ”Watchlist”, Monopol, April 2010, p. 29

  • Andrea Duda, ”Sunt atras de banalitatea in sine”, Man.In.Fest #1 / 2010, p. 56-57

  • Marie Maertens, ”L’ecole de Cluj”, Art Press, March 2010, p. 58-64

  • Evelyn Pschak, ”Pain ballet and historical passion”, ArtNet, March 3, 2010

  • Oana Tanase, ”Some kill their love when they are young”, 24Fun, February 25, 2010

  • ”Selbstinszenierung”, Prinz, February, 2010

  • Richard Unwin, City Report: Cluj, Frieze, January 3, 2010

  • Manifest of Flaw, [catalogue], October 2009

  • TICKETOHELL, #1 / 2009

  • Exploring the return of repression, [newspaper], 2009, p. 23

  • Razvan Ion, Pavilion #13 / 2009 p. 198-207

  • 20×20 magazine, #2 / June 2009

  • Noa Treister, ”From the Periphery”, [catalogue], 2009

  • Vicky Anderson, ”Independents to be bigger than ever”, Liverpool Daily Post, September 9, 2008

  • Piera Ravnikar, ”What is White?”, [catalogue], 2008

  • Blankpages, #4 / 2008, p. 6

  • Jacopo Miliani, DikFagazine #7, SSN 1764-4727 18 PLN 2008, p. 56-66

  • Impulsive Random Platform IRP 8, limited edition of 80, 2008

  • Pisszine #4 / 2008

  • So No 8, May 6 -12, 2003