EN
Born in Sibiu in 1981, the Romanian artist Alex Mirutziu creates technologies of ephemeral reciprocity. Through his films, sculptures, and performances, he confronts that which is different within us through strategic actions that bring about the illusion of living by complicating order. In his projects, the premise is that of identity as a problem and a task for ourselves to transgress, hoping for peace at the price of constant uneasiness. The artist often touches upon the theme of the difficulty of dying and the necessary engagement with one’s own ruination, or déchirure, understood as a civil responsibility to transcend a personal psycho-physical predicament.
As part of his theoretical practice, the artist has lectured at (The Royal College of Arts, London, Von Kraal Theatre, Estonia, Konstfack, Stockholm, Bezalel University of Art and Design, Tel Aviv) and has collaborated with artists/writers/musicians/designers/philosophers among which, Grit Hachmeister (DE), Elias Merino (ES), Graham Foust (US), Graham Harman (US). His work has been shown at Power Plant, Toronto, Glass Factory Lab, Boda, Mucsarnok Kunsthalle, Budapest, Center for Contemporary Art and National Museum, Warsaw, Museum of Contemporary Art, Bucharest, Kunsthalle Mulhouse, Kunsthalle Winterthur, Kunsthalle Bega, Centre for Contemporary Art, Tel Aviv, Royal Academy of Arts, London, and Venice Biennale.
RO
Născut la Sibiu în 1981, Alex Mirutziu creează tehnologii de reciprocitate efemeră. Prin filmele, sculpturile și performance-urile sale, artistul se confruntă cu ceea ce este diferit în noi prin acțiuni strategice care produc iluzia participării la viață, acceptand complicarea ordinii. În proiectele sale, premisa este aceea a identității ca problemă și sarcină pe care noi înșine trebuie să o transgresăm, sperând la pace cu prețul unei neliniști constante. Artistul abordează adesea tema dificultății de a muri alături de sondarea degradării, sau a deșirării, înțeleasă ca o responsabilitate a trezviei.
Dincolo de activitatea sa artistică, Mirutziu e interesat și de practicile teoretice, colaborând cu artiști, scriitori, muzicieni sau filosofi printre care: Grit Hachmeister (DE), Elias Merino (ES), Graham Foust (US), Graham Harman (US). Proiectele lui au fost prezentate printre altele la Royal College of Arts, London, Von Kraal Theatre, Estonia, Konstfack, Stockholm, Bezalel University of Art and Design, Tel Aviv, Powerplant, Toronto, Mucsarnok Kunsthalle, Budapesta, Centrul de Arta Contemporana si Muzeul National de Arta, Varsovia, Muzeul National, Bucuresti, Kunsthalle Mulhouse, Kunsthalle Winterthur, Kunsthalle Bega, Centrul de Arta Contemporana, Tel Aviv, Royal Academy of Arts, Londra si Bienala de la Venezia.
Bio / TAH 29
EN
The Artist and Himself at 29 is a transhistorical genome and hyper-object which operates and co-activates humour and retroactive irony as a way to approach the site of change and agency in the present. One of its lines of enquiry has to do with the notion of closure and with Sartre’s finished product theory which looks at the individual as the heterogeneous project of circumstances. The artist Alex Mirutziu is part of this collection alongside his twenty-nine-year-old self. TAH29 is informed by a museological activity of the artist, as the most unartistic of anything in existence as he, the artist, is continually in for and filling some other body; an observation which only Keats could have made in a letter to Richard Woodhouse. The collective’s gravitational pull comes from the phenomenology of presence and from the notion of reality without presence developed by Graham Harman.
RO
The Artist and Himself at 29 (TAH29) e un genom trans-istoric și un hiper-obiect care operează și co-activează umorul și ironia retro-activă ca moduri de abordare a locului schimbării și acțiunii din prezent. Artistul Alex Mirutziu face parte din acest colectiv împreună cu el însuși la vârsta de 29 de ani. TAH29 se definește printr-o activitate muzeologică a artistul care e cel mai inartistic cu putință, atunci când înlocuiește sau intră în pielea altcuiva, o observație pe care John Keats și-a asumat-o pe deplin atunci când își hașurează existența într-o scrisoare adresată lui Richard Woodhouse. TAH29 respiră fenomenologia prezenței și se lasă gravitată de noțiunea filosofului Graham Harman — realitate fără prezență.
Born in 1981, Sibiu, Romania
Lives and works in Sibiu, Romania
STUDIED AT
University of Arts and Design, Cluj-Napoca, Romania
University of Castilla - La Mancha, Cuenca, Spain
University of Huddersfield, England
SOLO EXHIBITIONS
2024
On letting the unnoted be - a treatment, Collective Memory Point Cultural Center, Vad, Cluj County
2021
Crash Mail of a Five Year Accident: premiere screening and discussion with Alex Mirutziu and Diana Marincu, Art Encounters Foundation, ISHO Pavilion, Timisoara
2019
The Unnerving Inches of Being, Sabot Gallery, Cluj-Napoca
Gaining in a State of Debt | curator: Nicola Trezzi, Center for Contemporary Art, Tel Aviv
2018
Around the Truth is the Truth, Kunstverein Ost, Berlin
Between Too Soon and Too Late, Delfina Foundation, London
2017
This, like..., MLF | Marie-Laure Fleisch, Brussels
No Blood Bank Included, National Museum of Contemporary Art, Bucharest
2016
Rüdiger Schöttle Gallery, Munich
2013
Each thought's an instant ruin with a new disease, Sabot Gallery, Cluj-Napoca
2012
Film Program: Alex Mirutziu, Sabot Gallery, Cluj-Napoca
What is the reality of never?, IASPIS - Lucie Fontaine Studio, Stockholm
2011
Time’s own insult | curator: Maja Heuer, Glass Factory Lab, Boda
Pending works & Scotopolitic object, Rüdiger Schöttle Gallery, Munich
Spending time in relation to usage, Barbara Seiler Gallery, Zurich
2010
Critique on how temples move faster than their shadows, Mihai Nicodim Gallery, Los Angeles
Some kill their love when they are young, Rüdiger Schöttle Gallery, Munich
2009
Manifest of flaw, Sabot Gallery, Cluj-Napoca
2002
Marriage or calling for water, Tranzit House, Cluj-Napoca
PERFORMANCES
2023
Backwards in Pasolini, 5th Art Encounters Biennial, National Museum of Banat - Huniade Castle, Timisoara
Intervention is Enough Evidence. Finally, Kunsthalle Praha, Prague / Art Encounters Foundation - ISHO Pavilion, Timisoara
The Urgency of the Idea of Closure in Drawing, Cazarma U, Timisoara
2020
Towards Exiting a Fold, Kunsthalle Bega, Timisoara
Doing Sub Thinking, Quoz Arts Fest, Concrete, Dubai
2019
Bye, Bye… Hello!, Centrul de Interes, Cluj-Napoca
Placing the out of place, Palace of Culture and Science, Warsaw
Bottoms Know It, Center for Contemporary Art, Tel Aviv
2018
The gaze is a prolapse dressed in big business, Frac des Pays de la Loire, Carquefou
Doing Sub Thinking, Block Universe, Royal Academy of Arts, London
The Urgency of the Idea of Closure in Drawing, Art Safari, Bucharest / Kunstverein Ost, Berlin
2017
Dignity To The Unsaid, National Museum of Contemporary Art, Bucharest / Centrul de Interes, Cluj-Napoca
2016
How soon gone is gone, Wexford Arts Centre, Wexford
Stay[s] against confusion, Delfina Foundation, London
2015
The Finnish Method, 56th Venice Biennale, Palazzo Correr, Venice
2014
Scotopolitic objects#2 for five performers and electroacoustic impromptu (in collaboration with Elias Merino), Center for Contemporary Art, Warsaw
2013
Scotopolitic objects#2 for one performer, Sabot Gallery, Cluj-Napoca
Improvisation 0 (with Gergo NAGY, Paul Devens, Joris Strijbos), Roodkapje, Rotterdam
Camp festival, Tranzit House, Cluj-Napoca
2012
Five moments of silence for Pending Work #7, IASPIS – Lucie Fontaine Studio, Stockholm
Interview through sculpture (with Razvan Sadean), Spazio Vault, Prato
2011
Action is guilt – Method to Rourke, Studio Corte17, Prato
History is nothing but muscles in action (with Razvan Sadean), ZDB - Galeria Zé dos Bois, Lisbon
2010
Critique on how temples move faster than their shadows, Mihai Nicodim Gallery, Los Angeles
When love melted cavalries in our hearts, Eira 33, Lisbon / Temps d’Images Festival, Paintbrush Factory, Cluj-Napoca
Feeding the horses of all heroes, Romanian Academy, Rome
Remains of the East (in collaboration with Alina Serban, Angelique Lehman), WUK Theatre, Vienna
2009
Ping pong for VIP’s (with Alexandra Pirici), Temps d’Images Festival, Sabot Gallery, Cluj-Napoca
2008
Leave Gordon Brown alone, East Street Arts, Leeds / DuveGallery, Berlin / Independents Biennial 08, Liverpool
2007
The shipwrecked sailor, Laurence Batley Theatre, director: John Britton, Huddersfield
Anatomission, Cum2Cut Film Festival, Berlin
2004
24h donation of sperm, Gallery of Fine Arts University, Cuenca
2003
Boys first time, International Festival of French Theatre, Sibiu
Sorrows of reconstruction, Tranzit House, Cluj-Napoca
Missing song, Festival of the Architect, Cluj-Napoca
Gym to muscle lethargy, Gong Theatre, Sibiu
Atrocity exhibition, Museum of 1989 Revolution, Timisoara
2002
Chemical relaxing (in collaboration with Anca Falamas), British Council, Cluj-Napoca
Atrocity exhibition, The Slaughter House, Sibiu / Old Casino, Cluj-Napoca
GROUP EXHIBITIONS
2024
Anybody Home?, The 5th Mediterranean Biennale | curators: Avital Bar-Shay, Belu-Simion Fainaru, WIZO Academy of Design, Haifa
2023
HeartBeat 21, National Museum of Contemporary Art, Bucharest
Contemporary Drawing in Romania | curator: Raluca Ilaria Demetrescu, Scemtovici & Benowitz Gallery, Bucharest
UN/LIVING Gallery - Tangible Art Manifesto, WASP - Working Art Space and Production, Bucharest
Lost in the Moment That Follows. The Ovidiu Șandor Collection | curator: Tevž Logar, Kunsthalle Praha, Prague
Spark in the Dark | curators: Nathalie Hoyos, Rainald Schumacher, in 'after SCULPTURE / SCULPTURE after', Cazarma U, Timisoara
budget zero and a few square meters | curator: Liviana Dan, Dr. Ion Rațiu 2 Street Villa, Sibiu
HeartBeat 22, National Museum of Contemporary Art, Bucharest
2021
You Feel ~ And Drift ~ And Sing (1-245) | curators: Dragoș Olea, Sandra Demetrescu, Combinatul Fondului Plastic & Switch Lab, Bucharest
un/mute | curators: Daina Mattis, Melinda Wang, Undercurrent & Austrian Cultural Forum, New York
Mirror, Mirror? Contemporary Selfhood in Romanian Art | curators: Carmen Casiuc, Irina Gerdman, CFHILL, Stockholm
Towards a New Community | curator: Avi Lubin, Europe Day 2021, a video art event in public space: Eilat, Haifa, Tel Aviv
HeartBeat 20 | curator: Călin Dan, Kunsthalle Bega, Timisoara
Private and Public Spaces - A Photo-based Selection from the Balázs–Dénes Collection, Budapest Photo Festival 2021, FUGA - Budapest Center of Architecture, Budapest
The Meaning of Sculpture | curator: Liviana Dan, Sector 1 Gallery, Bucharest
When in Doubt, Go to a Museum | curator: Tevž Logar, City Museum of Ljubljana
2020
12 Years After. A Survey of Romanian Art in 180 Works, National Museum of Contemporary Art, Bucharest
The Promise: Artists to Benefit CCA Tel Aviv | curators: Nicola Trezzi, Thomas Rom, Center for Contemporary Art Tel-Aviv
Wounded Identity | curator: Ileana Pintilie, Anca Poterasu Gallery, Bucharest
The Meaning of Sculpture | curator: Liviana Dan, Kunsthalle Bega, Timisoara
Il faut cultiver notre jardin | curator: Ovidiu Leuce, Centrul de Interes, Cluj-Napoca
2019
Because in our dreams we took risks | curator: Diana Marincu, Art Encounters Foundation, Timisoara
Changing Places - Works by Artists of Centrul de Interes, The Institute of Contemporary Art, Dunaújváros
La Brique, the Brick, Cărămida | curator: Ami Barak, La Kunsthalle Mulhouse, Mulhouse
Ex-East. Past and recent stories of the Romanian avant-gardes | curator: Ami Barak, Espace Niemeyer - Siège du Parti communiste français, Paris
2018
5779. 4/12 - Alex Mirutziu & Pär Andersson, But as a document | curator: Nicola Trezzi, BUILDINGBOX, Milan
Once More Into the Grey, UNA Gallery, Piacenza
Manufacturing Nature / Naturalizing The Synthetic | curator: Diana Marincu, Frac des Pays de la Loire, Carquefou
De Rerum Natura | curators: Călin Man, Ileana Selejan, Arad Museum Complex - Department of Natural Sciences, Arad
A World Has Still To Be Built | curator: Diana Marincu, Art Encounters Foundation, Timisoara
Travelling with a blind map | curator: Flóra Gadó, Kisterem Gallery, Budapest
Art on Stage | curator: Hervé Mikaeloff, Central Pavilion, Art Safari Bucharest
KEDEM-KODEM-KADIMA | curator: Nicola Trezzi, Center for Contemporary Art Tel-Aviv
Double Heads Matches | curators: Diana Marincu, Zsuzsanna Szegedy-Maszák, New Budapest Gallery, Budapest
2017
The Impossible Garden | curator: Liviana Dan, Jecza Gallery, Timisoara
2016
I'm the Invisible Man | curators: Diana Marincu, Anca-Verona Mihulet, National Museum of Contemporary Art, Bucharest
Few Were Happy with their Condition | curator: Olga Stefan, Gallery 400 - University of Illinois at Chicago
2015
Appearance and Essence, 1st Art Encounters Biennial | curators: Nathalie Hoyos, Rainald Schumacher, Timco Halls, Timisoara
Few were happy with their condition | curator: Olga Stefan, Motorenhallen, Dresden
Inventing the Truth, on Fiction and Reality, 56th Venice Biennale | curator: Diana Marincu, Romanian Institute for Culture and Research in Humanities, Venice
Few Were Happy with their Condition | curator: Olga Stefan, Kunsthalle Winterthur, Winterthur
2014
A few grams of red, yellow, blue | curator: Ewa Gorzadek, Center for Contemporary Art, Warsaw
Through the Collector’s Eye. Works of the Generation 2000 from Cluj in Three Romanian Collections, The Office, Cluj-Napoca
2012
European travelers, Art from Cluj today | curator: Judit Angel, Műcsarnok - Kunsthalle, Budapest
A brand new baby carriage standing there on the porch, Barbara Seiler Gallery, Zurich
Play dice would be nice, Gaudel de Stampa, Paris
Works and interview through sculpture, Spazio Vault, Prato
Rearview mirror | curator: Christopher Eamon, Art Gallery of Alberta, Edmonton
2011
Rearview mirror | curator: Christopher Eamon, Power Plant, Toronto
Pulse within the veil | curator: Georgiana But, Tranzit House, Cluj-Napoca
Beyond the liminal experience | curator: Francesco Scasciamacchia, Spazio Vault, Prato
Object-orientation, Cerritos Art Gallery | curator: Joseph Cervantes, Norwalk
2010
Self-portraits | Krokus Gallery, Bratislava
Il Caos #2, Le Migrazioni | curator: Raffaele Gavarro, Island of San Servolo, Venice
Ars homo erotica | curator: Pawel Leszkowicz, National Museum, Warsaw
2009
Exploring the return of repression | curator: Razvan Ion, Pavilion—Centre for Contemporary Art and Culture, Bucharest
Message in a bottle, The Stanley & Audrey Burton Gallery, Lumen Evolution Festival, Leeds
From the periphery | curator: Noa Treister, Dom Omladine, Belgrade
2008
Optica, International Festival of Video Art | Paris, Madrid, Gijon
Sex in transition | curator: Noa Treister, Kucevo
What is white? | curator: Jenny Lee, Piera Ravnikar, Ada Street Gallery, London
2007
The eye of the beholder | curator: Liviana Dan, Brukenthal Museum, Sibiu
A show that took the place of a star, Showroom Ottakring, Vienna
No hope no fear | curator: Alex Mirutziu, Balanta Warehouse, Sibiu
2004
Desire in the making | curator: Alex Mirutziu, University of Fine Arts, Cuenca
2002
Head_Start | curator: by Liviana Dan, Brukenthal Museum, Sibiu
RESIDENCIES AND GRANTS
2024
Workshop Foundation, Budapest - Hungary
2023
”Remarkable Romania” - Cluj Cultural Centre, Vad, Cluj County - Romania
2022
Uferstudios Für Zeitgenössischen Tanz, Berlin - Germany
”Art Lives Here” - NYX Hotels, Warsaw - Poland
2021
Undercurrent, New York - USA
2019
Outset, Tel Aviv - Israel
2018
Frac des Pays de la Loire, Carquefou - France
2016
The Centre For Dying On Stage #3, Cow House Studios, Wexford - Ireland
Delfina Foundation, London - England
2015
Art Encounters Foundation, Timisoara - Romania
2014-2015
IASPIS Konstnärsnämnden, Stockholm - Sweden
2011
The Glass Factory Lab, Boda - Sweden
ZDB - Galeria Zé dos Bois, Lisbon - Portugal
2010
Eira 33, Lisbon - Portugal
2009
Colectiv A, Cluj-Napoca - Romania
PUBLICATIONS
“Lost in the Moment That Follows. The Ovidiu Șandor Collection”, published by Kunsthalle Praha, [catalogue], 2023
Valentina Iancu, ”Queer Culture in Romania (IV). Tracing Queer Narratives in Romanian Time-Based Media Art”, Revista ARTA, March 21, 2023
Kilobase Bucharest, ”Muzeul Culturii Queer”, Revista PROPAGARTA, #3 / 2023, p. 64-68
Valentina Iancu, ”Tracing Queer Narratives in Romanian Time-Based Media Art”, East European Film Bulletin, vol. 128, October 2022
Adriana Oprea, ”Beyond the Graven Image”, Revista ARTA, #50-51 / 2021, p. 80-85
Raluca Oancea (Nestor), ”The Infection of Identity in the Age of the Body Docile / Quarantined / Without Organs”, Revista ARTA, March 11, 2021
Ada Muntean, “Meaning, Truth, and Vision: The Limits and Openings of a Visual Medium in a Curatorial Project”, Revista ARTA, March 3, 2021
Julien Delagrange, “Contemporary Art in Cluj. A Critical Overview”, Contemporary Art Issue, January 18, 2021
“QAI/RO”, Karol Radziszewski, (ed.) Hecate, 2020, p. 40-45
“Romanian Contemporary Art 2010-20. Rethinking the Image of the World: Projects and Sketches”, Adrian Bojenoiu, Cristian Nae, (ed.) Hatje Cantz, 2020, p. 190-193, 204-205
”The Meaning of Sculpture”, (ed.) Universității de Vest, [catalogue], 2020
“Il faut cultiver notre jardin”, (ed.) IDEA Design & Print Cluj, [catalogue], 2020
Muhammad El-Jachi, “Voicing a Movement”, Canvas Magazine, April/March, 2020, p. 62-65
Raluca Țurcanașu, ”What risks did we take in our dreams?”, Revista ARTA, April 22, 2020
“Queer!? Visual Arts in Europe”, Anton Anthonissen, Evert van Straaten, Publishers Waanders Uitgevers, Zwolle [catalogue], 2019, p. 315-316
Ingeborg Ruthe, ”Rund um die Wahrheit ist das Wahre”, Berliner Zeitung, October 4, 2018
Izabella Scott, ”I'm interested in error, misunderstanding, correction”, interview, Studio International, June 26, 2018
Camelia Ciobanu, ”Alex Mirutziu 'Between too soon and too late’ - a window that could take one closer to the essence of things”, Central and Eastern European London Review, May 5, 2018
Flora Gado, ”Dignity to the Unsaid”, Artportal, May 14, 2018
Flora Gado, ”Dignity to the Unsaid”, Revista ARTA, April 24, 2018
Art Encounters, (ed.) Art Encounters Foundation, [catalogue], 2017, p. 214
Martina Lolli, ”Comunicare l'esperienza. Alex Mirutziu a Bruxelles” / review / Artribune, October 2017
Diana Marincu, ”Being Iris Murdoch. Note pe marginea unei lucrari de Alex Mirutziu”, Poesis International, #1(19) / 2017, p. 184-186
Ruxandra Hurezean ”Cred ca avem nevoie de artisti care au raspunsuri ancorate in realitate”, Sinteza Magazine, #31 / August 2016 issue p. 108-111
WATCHED! Surveillance, Art and Photography, (ed.) Verlag der Buchhandlung Walther Konig, edited by Louise Wolthers, The Hasselblad Foundation [catalogue], 2016, p. 13, 156-159
Roxana Sima, “Pesimisms for Export”, Revista ARTA, August 26, 2015
Diana Marincu, La Biennale di Venezia, All The World‘s Futures, Biennale Arte 2015 [catalogue], p. 141
”Inventing the Truth, on Fiction and Reality”, (ed.) IDEA Design & Print Cluj, [exhibition guide], 2015, p. 62-77
Open House / IASPIS, The Swedish Arts Grants Committee, 2015, p. 12-13
Through the Collector's Eye / Works of the Generation 2000 from Cluj, [catalogue], 2014, p. 48-49
Diana Marincu ”The right to opacity”, IDEA arts+society, #44 / 2014, p. 75-79
Georgiana Buț, ”Pulse, within the veil”, Revista ARTA, nr. 11, 2014, p. 32-33
Alex Mirutziu, "Bureaucracy of objects", C-Print - Journal about Contemporary Art, April 24, 2014
Alex Mirutziu, ”Pending Works & Bureaucratic Objects”, (ed.) IDEA, [artist book], 2014
Ewa Gorzadek, A Few Grams of Red, Yellow, Blue [catalogue], 2014
Jane Neal, Art Cities of the Future: 21st Century Avant-Gardes, (ed.) Phaidon, 2013, p. 78-79
Judit Angel, European Travellers - Art from Cluj Today, 2013, p. 188-191
George Robescu, ”Alex Mirutziu is not your personal art tailor”, All Hollow, winter issue, 2012, p. 92-101
Eugenia La Vita, ”Works and Interview Through Sculpture” / review / Exibart, March 2012
Rearview Mirror: New Art from Central & Eastern Europe, (ed.) Canada Cataloguing in Publication, [catalogue], 2011, p. 66
Lamono, #76 / 2011, p. 60-63
Decat O Revista, #6 / 2011
Alex Mirutziu, Pending works & Scotopolitic object, June 2011 [catalogue]
Ciprian Muresan, Paintbrush Factory: A snapshot, IDEA Art + Society, #36 -37 / 2011, p. 62
Martens Anne, Alex Mirutziu – Mihai Nicodim / review / Flash Art, March – April 2011
Spending time in relation to usage, [catalogue], January 2011
Pisano Libero Claudio, ”Il Corpo Racconta. O tace”, Gli Altri, [newspaper], August 20, 2010
Raffaele Gavarro, ”Il Caos #2 – Le Migrazioni”, [catalogue], 2010
Daria D. Pervain, Marcel Janco, ”Controversial Customs”, NY Arts Magazine, August 2010
Ars Homo Erotica, (ed.) National Museum of Warsaw, [catalogue], 2010, p. 24
Barbara Gartner, ”Watchlist”, Monopol, April 2010, p. 29
Andrea Duda, ”Sunt atras de banalitatea in sine”, Man.In.Fest #1 / 2010, p. 56-57
Marie Maertens, ”L’ecole de Cluj”, Art Press, March 2010, p. 58-64
Evelyn Pschak, ”Pain ballet and historical passion”, ArtNet, March 3, 2010
Oana Tanase, ”Some kill their love when they are young”, 24Fun, February 25, 2010
”Selbstinszenierung”, Prinz, February, 2010
Richard Unwin, City Report: Cluj, Frieze, January 3, 2010
Manifest of Flaw, [catalogue], October 2009
TICKETOHELL, #1 / 2009
Exploring the return of repression, [newspaper], 2009, p. 23
Razvan Ion, Pavilion #13 / 2009 p. 198-207
20×20 magazine, #2 / June 2009
Noa Treister, ”From the Periphery”, [catalogue], 2009
Vicky Anderson, ”Independents to be bigger than ever”, Liverpool Daily Post, September 9, 2008
Piera Ravnikar, ”What is White?”, [catalogue], 2008
Blankpages, #4 / 2008, p. 6
Jacopo Miliani, DikFagazine #7, SSN 1764-4727 18 PLN 2008, p. 56-66
Impulsive Random Platform IRP 8, limited edition of 80, 2008
Pisszine #4 / 2008
So No 8, May 6 -12, 2003