Filtering by Category: "Pop"

"Pop" video to be shown at Art Gallery of Alberta until April

Added on by Alex Mirutziu.

Art Gallery of Alberta

Still from video POP by Alex Mirutziu


Guest-curated by Christopher Eamon

In a rearview mirror
I suddenly saw
the mass of the cathedral in Beauvais;
large things inhabit small, briefly.

(Rearview Mirror from Going to Lwow, 1985) 

Rearview Mirror is a large thematic exhibition that brings together the work of a new generation of contemporary artists from Central and Eastern Europe.

Twenty years after the fall of the Berlin Wall, one might expect great changes in the cultural practices in the region known as the Eastern Bloc, even though the political cultures and histories of the various nations that comprise it greatly diverge. Rearview Mirror brings together artists from these diverse backgrounds and histories, who engage with post-conceptual strategies and forms, and artistic practices that range in media from video, installation and performance to sculpture and painting. Looking both to the past and to the future, the work of these 22 artists represent 11 different countries and collectively challenge accepted notions of Eastern Europe as a social, political and art historical monolith.

The exhibition does not attempt to be all-inclusive or encyclopaedic; instead it is a preliminary investigation in which one can find moments of dialogue, convergence as well as difference. It is a unique opportunity to view art works by a new generation of artists, such as Ciprian Muresan, Gintaras Dzidziapetris and Anna Molska in the context of some of their contemporaries who are already well-established in the international art world: Pawel Althamer, Roman Ondák and Wilhelm Sasnal. Artists in the exhibition include:

Paweł Althamer (Poland), Anetta Mona Chişa (Romania/Czech Republic) with Lucia Tkáčová (Slovakia), Gintaras Didžiapetris (Lithuania), Dušica Dražić, (Serbia), Igor Eškinja (Croatia), Johnson & Johnson (Estonia), Anna Kołodziejska (Poland), David Maljković (Croatia), Ján Mančuška (Czech Republic), Dénes Miklósi (Romania), Alex Mirutziu (Romania), Anna Molska (Poland), Ivan Moudov (Bulgaria), Ciprian Mureşan (Romania), Deimantas Narkevičius (Lithuania), Roman Ondák (Slovakia), Anna Ostoya (Poland), Taras Polataiko (Ukraine), 
Wilhelm Sasnal  (Poland), Sislej Xhafa (Kosova), Katarina Zdjelar (Serbia)


On January 31, 2010, the newly constructed Art Gallery of Alberta (AGA) opened its doors to an eager public. Located in downtown Edmonton’s arts district on the north-east corner of Sir Winston Churchill Square, the long road from conception to construction had finally reached its end.



Los Angeles-based architect Randall Stout’s dynamic design is the first boundary pushing infrastructure to be erected in Alberta in decades. More importantly, it symbolizes that a strong appreciation for visual art exists in this province, as the Government of Alberta committed a total of $27 million toward funding the gallery’s new facility.


Rearview Mirror: (Review Article) by Milena Tomic

Added on by Alex Mirutziu.

Identificatory scenarios abound in Rearview Mirror: New Art from Central and Eastern Europe, which is co-produced by The Power Plant Art Gallery in Toronto and the Art Gallery of Alberta in Edmonton. As the site of a subject’s first encounter with their own image as Other, the mirror appears in both literal and figurative guise in a number of the works on display here. And yet the subjectivities invoked in Rearview Mirror resist familiar calls to identification. While the two Canadian venues will undoubtedly introduce well-established artists from the region to new audiences, visitors may not realize to what extent such work comes preloaded with ideological baggage. Historically, neo-avant-garde gestures under socialism were more resistant to being absorbed by market forces than those in the West for the simple reason that an art market did not exist there in the first place. The very different support structures available to artists meant that outwardly similar actions were potentially met with different political consequences and were thus dislocated from their more universalizing counterparts. In an analogous way, every artistic gesture was already politicized because of the context it appeared in.



Canadian-born and US-based curator Christopher Eamon brings together works by 23 younger artists in way that simultaneously utilizes and underplays the legacies of political repression and the realities of economic transition and the attendant problems of exclusion. Rearview Mirror is not about Eastern European art per se, but a vaguely triumphal “new” art whose practitioners have largely overcome the marginality that plagued their predecessors.

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Related posts:

· Alex Mirutziu - "Pop" video at ArtGallery of Alberta until April
· REARVIEW MIRROR at the ArtGallery of Alberta
· Alex Mirutziu in "The RearviewMirror" [catalogue]
· REARVIEW MIRROR: NEW ART FROM CENTRAL ANDEASTERN EUROPE // On view until    5 September, 2011
· Rearview Mirror at THE POWER PLANT - 1 July -5 September, 2011

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Eamon’s second tendency is “an attraction to popular culture as expressed in some of the globally dominant entertainment industries.” For example, Ciprian Mureşan’s Un Chien Andalou (2004) has characters from Shrekappropriate the eye-cutting scene from the Surrealist film, swapping grainy live action for slick 3D animation. Again in single-channel video, Alex Mirutziu’s Pop (2006-2007) re-imagines historical body art through the comparatively sedate act of a hand flipping through a fashion magazine. Both works create a sense of distance from the source material in ways that allow for extended contemplation not of typical Central and Eastern European concerns, but of the wider neoliberal context to which all such images belong.

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Read more:
www.artmargins.com/index.php/2-articles/643-rearview-mirror-new-art-from-central-and-eastern-europe
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REARVIEW MIRROR: NEW ART FROM CENTRAL AND EASTERN EUROPE // On view until 5 September, 2011

Added on by Alex Mirutziu.








©  "Pop"  Alex Mirutziu  
©  "Pop"  Alex Mirutziu  
©  "Pop"  Alex Mirutziu
Participating artists: Pawel Althamer (Poland); Anetta Mona Chisa (Czech Republic) and Lucia Tkácová (Slovakia); Gintaras Didziapetris (Lithuania); Dušica Drazic (Serbia); Igor Eškinja Croatia); Johnson & Johnson (Estonia); Anna Kolodziejska (Poland); David Maljkovic (Croatia); Ján Mancuška (Czech Republic); Dénes Miklósi (Romania); Alex Mirutziu (Romania); Anna Molska (Poland); Ivan Moudov (Bulgaria); Ciprian Muresan (Romania); Deimantas Narkevicius (Lithuania); Roman Ondák (Slovakia); Anna Ostoya (Poland); Taras Polataiko (Ukraine); Wilhelm Sasnal (Poland); Sislej Xhafa (Kosova); and Katarina Zdjelar (Serbia).*

Curated by Christopher Eamon
Organized by The Power Plant and the Art Gallery of Alberta


Rearview Mirror is a large thematic exhibition that brings together the work of a new generation of artists from Central and Eastern Europe. Looking both to the past and to the future, the works by the twenty-two artists in the exhibition engage post-conceptual strategies and forms, and collectively challenge accepted notions of Eastern Europe as a social, political and art historical monolith.


In an attempt to alter stereotypes of Eastern Art and "Easternness" in general, the exhibition is a kind of preliminary experiment and dialogue in the post-socialist period. Twenty years after the fall of the Berlin wall, one might expect great changes in the cultural practices in the region known since the Yalta agreement as the "Eastern Bloc" even though the political cultures and histories of the various nations comprising it greatly diverge. Indeed this is the case in many practices that have been selected mainly for the artists' choices of non-traditional forms that range in media from video, installation and performance to sculpture and painting.


Related posts:

» Rearview Mirror at THE POWER PLANT - 1 July - 5 September, 2011

» Alex Mirutziu - "Pop" video at Art Gallery of Alberta until April

Rearview Mirror is not an exhibition that attempts to be all-inclusive or encyclopedic. It brings together the work of artists from diverse backgrounds and histories to look at the non-traditional practices of a younger generation of artists from the last decade, presenting an opportunity to view artworks by relative newcomers such as Ciprian Muresan, Gintaras Didziapetris and Anna Molska in the context of some of their contemporaries already known through international art circuits such as Pawel Althamer, Roman Ondák and Wilhelm Sasnal.


Christopher Eamon is a Canadian-born, New York-based independent curator who has curated numerous international exhibitions, and edited and written for a wide number of publications.


The exhibition is a co-presentation with the Art Gallery of Alberta, where it will be on view from
27 January – 29 April, 2012. Rearview Mirror is accompanied by a substantial publication, co-published by The Power Plant and the Art Gallery of Alberta.


 — all images except "Pop" stills, courtesy Steve Payne taken at The Power Plant, Toronto —