Filtering by Tag: Timisoara Art Encounters

Alex Mirutziu will be showing in ”A World Has Still To Be Build” at Art Encounters Foundation

Added on by Alex Mirutziu.
Designed to be part of the  Foundation ’s permanent program, the exhibition ”A World Has Still to Be Built” emphasizes one of our long-term missions – creating a dialogue platform for artists from different generations, and engaging the public in a knowledge exchange mediated by contemporary art.  The world has never stopped building and rebuilding itself and the expectation to deliver a better, a fairer or merely a more bearable future is always returning as a yearning of the process of situating oneself in time and space. What happens after something falls apart, how do you rebuild a system, and what is the consequence of collective and individual redefining? The reading of the title, which is an excerpt from W.G. Auden’s 1962 Prologue: The Birth of Architecture, can be enriched with larger snippets from Auden’s text: “It's our turn now / to puzzle the unborn. No world / wears as well as it should but, mortal or not, / a world has still to be built”. What is not yet visible, known, what is on the threshold between what has been and what will be, can be grasped as an intensified shape of the present, a task of the present time and a responsibility of knowledge.  The exhibition on display starts from questions and proposals coined by the invited artists in relation to an unstable and antagonistic socio-political climate, ever more trapped in its own cyclic system of revolt and obedience. The islands of knowledge that art lay bare group themselves here in solid territories, defined by the direct experience of a context the artists confront. They react to social drives, collective revolt, and personal discontents by drawing out the language of revolt and reworking it into an abrasive poetic vocabulary apt to foretell the zeitgeist. Whether we are talking of irony, reenactment, collective actions or individual gestures, the strategies the artists employ outline different ways of reading and contesting reality at the time of its breakdown and recreation.  ***  Parte din programul permanent al fundatiei, expozitia ”O lume inca asteapta sa fie construita” marcheaza una dintre misiunile noastre pe termen lung – crearea unei platforme de dialog pentru artisti din generatii diferite si implicarea publicului in schimbul de cunoastere mediat de arta contemporana.  Lumea nu a incetat sa se fie construita si reconstruita de-a lungul istoriei, iar incercarea de a produce un viitor mai bun, mai corect sau doar mai suportabil revine mereu ca o aspiratie a procesului de pozitionare in timp si spatiu. Ce se intampla dupa ce se dezintegreaza ceva, cum se reconstruieste un sistem si care e urmarea redefinirii colective si individuale? Citirea titlului, extras din poemul scris de W.G. Auden in 1962, „Prologue: The Birth of Architecture”, poate fi completata de un decupaj mai larg al versurilor lui Auden: „It's our turn now / to puzzle the unborn. No world / wears as well as it should but, mortal or not, / a world has still to be built”. Ceea ce nu este inca vizibil, cunoscut, la limita dintre ce a fost si ce urmeaza, poate fi intuit ca o forma intensificata a prezentului, o sarcina a timpului actual si o responsabilitate a cunoasterii.  Expozitia de fata porneste de la intrebarile si propunerile formulate de artistii invitati in relatie cu un climat social-politic instabil, antagonic si tot mai blocat in propriul sistem ciclic al revoltei si supunerii. Insulele cunoasterii pe care arta le formuleaza se grupeaza aici in teritorii solide, definite de experienta directa a unui context cu care artistii se confrunta. Acestia reactioneaza la impulsurile sociale, revoltele colective si nemultumirile personale distiland limbajul revoltei intr-un vocabular poetic abraziv in masura sa defineasca spiritul timpului. Fie ca vorbim de ironie, reenactment, actiuni colective sau gesturi individuale, strategiile la care recurg artistii decanteaza moduri diferite de a citi si dezbate realitatea, in momentul naruirii si reconstructiei ei.

Designed to be part of the Foundation’s permanent program, the exhibition ”A World Has Still to Be Built” emphasizes one of our long-term missions – creating a dialogue platform for artists from different generations, and engaging the public in a knowledge exchange mediated by contemporary art.

The world has never stopped building and rebuilding itself and the expectation to deliver a better, a fairer or merely a more bearable future is always returning as a yearning of the process of situating oneself in time and space. What happens after something falls apart, how do you rebuild a system, and what is the consequence of collective and individual redefining? The reading of the title, which is an excerpt from W.G. Auden’s 1962 Prologue: The Birth of Architecture, can be enriched with larger snippets from Auden’s text: “It's our turn now / to puzzle the unborn. No world / wears as well as it should but, mortal or not, / a world has still to be built”. What is not yet visible, known, what is on the threshold between what has been and what will be, can be grasped as an intensified shape of the present, a task of the present time and a responsibility of knowledge.

The exhibition on display starts from questions and proposals coined by the invited artists in relation to an unstable and antagonistic socio-political climate, ever more trapped in its own cyclic system of revolt and obedience. The islands of knowledge that art lay bare group themselves here in solid territories, defined by the direct experience of a context the artists confront. They react to social drives, collective revolt, and personal discontents by drawing out the language of revolt and reworking it into an abrasive poetic vocabulary apt to foretell the zeitgeist. Whether we are talking of irony, reenactment, collective actions or individual gestures, the strategies the artists employ outline different ways of reading and contesting reality at the time of its breakdown and recreation.

***

Parte din programul permanent al fundatiei, expozitia ”O lume inca asteapta sa fie construita” marcheaza una dintre misiunile noastre pe termen lung – crearea unei platforme de dialog pentru artisti din generatii diferite si implicarea publicului in schimbul de cunoastere mediat de arta contemporana.

Lumea nu a incetat sa se fie construita si reconstruita de-a lungul istoriei, iar incercarea de a produce un viitor mai bun, mai corect sau doar mai suportabil revine mereu ca o aspiratie a procesului de pozitionare in timp si spatiu. Ce se intampla dupa ce se dezintegreaza ceva, cum se reconstruieste un sistem si care e urmarea redefinirii colective si individuale? Citirea titlului, extras din poemul scris de W.G. Auden in 1962, „Prologue: The Birth of Architecture”, poate fi completata de un decupaj mai larg al versurilor lui Auden: „It's our turn now / to puzzle the unborn. No world / wears as well as it should but, mortal or not, / a world has still to be built”. Ceea ce nu este inca vizibil, cunoscut, la limita dintre ce a fost si ce urmeaza, poate fi intuit ca o forma intensificata a prezentului, o sarcina a timpului actual si o responsabilitate a cunoasterii.

Expozitia de fata porneste de la intrebarile si propunerile formulate de artistii invitati in relatie cu un climat social-politic instabil, antagonic si tot mai blocat in propriul sistem ciclic al revoltei si supunerii. Insulele cunoasterii pe care arta le formuleaza se grupeaza aici in teritorii solide, definite de experienta directa a unui context cu care artistii se confrunta. Acestia reactioneaza la impulsurile sociale, revoltele colective si nemultumirile personale distiland limbajul revoltei intr-un vocabular poetic abraziv in masura sa defineasca spiritul timpului. Fie ca vorbim de ironie, reenactment, actiuni colective sau gesturi individuale, strategiile la care recurg artistii decanteaza moduri diferite de a citi si dezbate realitatea, in momentul naruirii si reconstructiei ei.

A World Has Still To Be Built

Silvia Amancei & Bogdan Armanu, Apparatus 22, Alex Bodea, Brassaï, Geta Brătescu, Mircea Cantor, Simion Cernica, Teodor Graur, Dan Mihălțianu, Alex Mirutziu, Nita Mocanu, Ciprian Mureșan, Ioana Nemeș, Andrei Pandele, Dan Perjovschi, Lea Rasovszky, Daniel Spoerri, Andra Ursuța, Gabriela Vanga

Curator: Diana Marincu

29 September - 23 November, 2018

Times: Mon - Fri, 10 am - 5 pm

Opening: Saturday, 29 September, 6 pm

Art Encounters Foundation

Take Ionescu 46C, 300043 Timisoara

Art Encounters - 1st edition kicks off

Added on by Alex Mirutziu.

3–31 October 2015

www.artencounters.ro

Curators: Nathalie Hoyos and Rainald Schumacher

First edition of the Timisoara Art Encounters, to become a regular venue for Romanian art in the international curatorial dialogue.

In October 2015, Timisoara, the city in western Romania in the heart of the historic Banat region and among the Romanian cities in the current competition for European Capital of Culture 2021, will host the first Timisoara Art Encounters. Stretching over the historical center of the city, Timisoara Art Encounters offers multilayered displays at diverse sites that invite visitors to share in the sensual and intellectual experience of contemporary art. It appeals to people of all ages, to visitors both local and international.

This year’s curatorial theme is Appearance and Essence, and with it Timisoara Art Encounters focuses on a not so well-known chapter in the history of European art: the story of Romanian art from the 1960s to the present day. The selected works trace the distinct narrative thread of Romanian art that emerged and evolved in parallel to art in Western Europe. For the first time, visitors have the chance to experience a comprehensive survey of Romanian art of the last 50 years in dialogue with a few international artists.

Participating artists include: Saâdane Afif, Dragos Alexandrescu, Silvia Amancei & Bogdan Armanu, Apparatus 22, Rosa Barba, Marius Bercea, Stefan Bertalan, Matei Bejenaru, Rudolf Bone, Mihut Boscu Kafchin, Geta Bratescu, the Bureau of Melodramatic Research, Andrei Cadere, Mircea Cantor, Marieta Chirulescu, Radu Comsa, Calin Dan, Daniel Djamo, Joakim Eskildsen, Constantin Flondor, Adrian Ghenie, Ion Grigorescu, Mihai Iepure Gorski, Sofia Hultén, Pravdoliub Ivanov, Gabriel Kelemen, Maxim Liulca, Ana Lupas, Dan Maciuca, Alex Mirutziu, Florin Mitroi, Anca Munteanu Rimnic, Ciprian Muresan, Vlad Nanca, Paul Neagu, Ioana Nemes, Tara von Neudorf, Alexandru Niculescu, Mihai Olos, Andrei Pandele, Dan Perjovschi/Balamuc, Lia Perjovschi, Veda Popovici, Stefan Sava, Serban Savu, Sigma, sub:real, Gert and Uwe Tobias, Iulia Toma, Gabriela Vanga, to name but a few.

Nathalie Hoyos and Rainald Schumacher, the two Berlin-based curators, take Romanian art as the starting point for their selection. “We will concentrate the Encounters on artists who have a relationship with Romanian culture and whose art is rooted in its history, be it by place of birth, by language or by some underlying artistic references; artists who live in the country or abroad. As outsiders, we have taken an ‘archeological’ look at the Romanian art scene and have tried to capture its essence. After identifying the uniquely Romanian quality of this art, we bring it to the surface and make it clear to see. Appearance & Essence is the curatorial theme for this edition of Timi?oara Art Encounters. We are not looking to pin down a specific ‘national’ identity, and are instead searching for certain cultural differences and individual nuances in the global discourse.” 

Timisoara Art Encounters takes place across the entire historical city center. A thematic map will connect exhibitions in institutions, public galleries, the Timisoara Art Museum, a former high school and several abandoned buildings. Numerous artistic interventions will be staged in public places. A series of talks featuring international artists, curators and art historians will intensify the open dialogue with the public and the city at large. The educational program developed for Timisoara Art Encounters is aimed at all ages and communicates a concept of art as an open space, where different ideas, opinions and concepts about the world can meet and interact. 

Detailed information on the exhibition sites, educational program and participating artists will be announced on the website. A complete overview will be released by the end of May. Further information available at www.artentcounters.ro.

Timisoara
Timisoara lies at a historic crossroads between the former Ottoman and Habsburg empires, in the center of Banat, a Southern-European region rich in diverse traditions. Over several centuries, the city has been a melting pot for various cultures and religions. Furthermore, in the 1960s and 1970s, the city was an important and vibrant creative center for Romanian contemporary art. In that period, artists from Group 111 or the Sigma Group publicized new artistic concepts which drew international attention. In December 1989, the revolution against the Ceausescu dictatorship started in Timisoara. In the 1990s, the city offered a stage for a series of influential festivals, which gave artists the opportunity to test their newly-won liberty. Timi?oara Art Encounters reflects the historical and cultural legacy of the city. 

Curators
In 2014, curators Nathalie Hoyos and Rainald Schumacher developed a film and video program for Manifesta 10 in St. Petersburg. The curators’ selection was the first major survey of film and video art by contemporary artists, working both in the East and West, from the 1960s until today. The exhibition Fragile Sense of Hope, which they curated in 2014 at me Collectors Room in Berlin, featured highlights from a corporate art collection focusing on contemporary art from Eastern and Southeastern Europe.

*info taken from: http://blog.brooklynartproject.com/2015/06/first-edition-of-timisoara-art-encounters-announced-appearance-essence/

Alex Mirutziu - "Because" installation, 2015

Alex Mirutziu - "Because" installation, 2015

Alex Mirutziu - "Because" installation, 2015

Alex Mirutziu - "Because" installation, 2015

Alex Mirutziu - installation shot, 2015

Alex Mirutziu - installation shot, 2015

Alex Mirutziu - installation shot, 2015

Alex Mirutziu - installation shot, 2015

Alex Mirutziu - installation shot, 2015

Alex Mirutziu - installation shot, 2015

Alex Mirutziu - installation shot, 2015

Alex Mirutziu - installation shot, 2015

Alex Mirutziu - installation shot, 2015

Alex Mirutziu - installation shot, 2015

Alex Mirutziu - installation shot, 2015

Alex Mirutziu - installation shot, 2015

Copyright of photos: Alex Mirutziu