Kunsthalle Winterthur turns the spotlight on Romanian art twenty-five years after the fall of communism

Added on by Alex Mirutziu.

Few Were Happy with their ConditionPhotography, Video and Film in Romania

Curated by Olga Stefan

Kunsthalle Winterthur, February 21 - April 5, 2015
Marktgasse 25, 8400 Winterthur, Switzerland
www.kunsthallewinterthur.ch/

Panel Discussion:
Saturday, February 21, 2015, 6pm
with Monotremu, Jozsef Bartha, Stefan Sava, Cristina David,
Dan Acostioaie. 
Moderated by Olga Stefan

Show features: Mircea Cantor, Ciprian Muresan, Dan Acostioaie, Jozsef Bartha, Alexandra Croitoru, Cristina David, Monotremu, Claudiu Cobilanschi, Vlad Nanca, Bogdan Girbovan, Stefan Sava, Alex Mirutziu, Stefan Constantinescu, and Cristi Pogacean.

 Stefan Sava, from Atoms and Void, 2010, series of 6 photos and one video

 Stefan Sava, from Atoms and Void, 2010, series of 6 photos and one video

Few Were Happy with their Condition explores life in post-communist Romania, a time of hope and huge disappointment, with the transition (towards what?) seeming to continue forever, where neoliberalism and communist-style corruption and methodologies clash and mirror each other constantly, and where the young generation is still trying to carve a space for debate and critical analysis in art and life, and position itself against its nation’s past but also the West, thus attempting to create a new contemporary identity.
 

The show focuses on feelings of discontentment within the context of contemporary society, vis-a-vis Romania’s current political climate, its dark past and ever developing social problems, but also to personal narratives and meditations on life and the human condition.

The artists in the exhibition, through their use of video, film and photography, reflect the contemporary need for immediacy and urgency in expression and the technology and preoccupations of our time. In addition, there is a tradition of criticality inherent in these mediums dating back to the 1960s when video art and experimental film were means of opposing broadcast television and Hollywood, and had a tendency to resist commodification through their deteriorating nature.

/more: www.olgaistefan.wordpress.com

Sons Museum to include Mirutziu in permanent collection

Added on by Alex Mirutziu.

The Sons Museum of Belgium welcomes one of my works as part of its permanent collection. From now on, the playing accessory (as seen above) which I used at the opening of my first solo show at Rudiger Schottle Gallery in 2010 can be seen on display  in  the museum alongside other relevant brilliant artefacts of other artists.

About Sons Museum

Almost every human being owns a pair in one or another execution. On the one hand this universal object leads a visitor of SONS through all ethnic cultures and peoples, from the first foot-covered footsteps of humans till today. On the other hand through the world of modern art, highlighted out of a surprising perspective.

Thanks to Dirk Vanderschueren, the museum's owner, these two unique collections have found a home in a building of amazing architecture in beautiful surroundings. The whole results in a place of direct confrontation, a happening with international allure.

www.shoesornoshoes.com

Arta magazine takes a look at one of Mirutziu's iconic video

Added on by Alex Mirutziu.

excerpt from "Pulse within the veil"  Arta - revista de arte vizuale

nr.11/2014

text by curatorGeorgiana But

P.33

Pasiunea lui Alex Mirutziu pentru teoretizare si discurs transpare in toate demersuriel lui. Video-ul Tears are precious (2007) prezentat in expozitie nu este la fel de discursiv. Este in schimb, un raspuns extrem de direct si de concis la agresiunea homofoba resimtita de artist acasa, in Romania postcomunista. Forta lucrarii vine din simplitatea ei: artistul a fixat o camera care ii filmeaza chipul, intr-un close-up, in timp ce ii curg lacrimi, inregistrand fiecare detaliu al unui act uman comun dar ale carui semnificatii se amplifica exponential la fiecare repetare, in cadrul unui loop continuu de aproape trei minute. 

Through the Collector’s Eye / Generation 2000 in focus

Added on by Alex Mirutziu.

Through the Collector’s Eye
Works of the Generation 2000 from Cluj in Three Romanian Collections

Artists: Marius Bercea, Dan Beudean, Mihuț Boșcu Kafchin, Mircea Cantor, Radu Cioca, Radu Comșa, Oana Fărcaș, Adrian Ghenie, Simon Cantemir Hauși, István László, Maxim Liulca, Victor Man, Alex Mirutziu, Ciprian Mureșan, Vlad Olariu, Cristi Pogăcean, Victor Răcătău, Cristian Rusu, Șerban Savu, Mircea Suciu, Supernova, Gabriela Vanga
Collections: Răzvan Bănescu, Mircea Pinte, Ovidiu Șandor
September 12th – 21st, 2014

Architecture for page turn, 2014

Architecture for page turn, 2014

The Office: Through the Collector’s Eye
All images © Alex Mirutziu

All images © Alex Mirutziu

Recent Mirutziu's solo show meets IDEA - Art+Society review

Added on by Alex Mirutziu.

Recent issue of IDEA - Art + Society, appointed Diana Marincu to curate a text on Alex Mirutziu's latest solo show "Each thought's an instant ruin with a new disease" which took place last December at art hub Paintbrush Factory's gallery Sabot.

Diana Marincu is a researcher on the curatorial narratives/discourses built in relation with political and geographical criteria and a Ph.D. candidate at the National University of Art in Bucharest.

Among the themes discussed are Mirutziu's attachment to language and text, the development of Pending Work series, Bureaucracy of Objects and the Artist and Himself at 29 (a hyperobject / collective he put together recently).

She states: "Alex Mirutziu does not explain, does not represent and does not demonstrate through his works something that, as soon as it reaches the public, would “close“ itself within an interpretation. The question that the artist uses as a point of departure is “what happens when the objects, bodies and all things from our surroundings stay silent?“ Their language is untranslatable, their background empty and their field of reaction fragmented in a multitude of different temporalities, desynchronized."

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