Sabot Gallery, hot on the heels with Alex Mirutziu in New York, this March

Added on by Alex Mirutziu.

David Wojnarowicz's "Untitled (From the Ant Series)", 1988-89, is being used as Moving Image video art fair's promotional image.

Moving Image, a New Video Art Fair, Moves in on Armory Week

NEW YORK— Hot on the heels of the announcement of a new Brooklyn-based art fair during New York's upcoming Armory Show week in March, a fresh contender is throwing its hat into the ring — one that is perhaps still more unlikely, and intriguing. The just-announced Moving Image fair is the brainchild of art dealer Ed Winkleman and Murat Orozobekov, a partner in Winkleman's eponymous Chelsea gallery. It aims to solve the longstanding problems of showing video art at a fair.

Moving Image will run March 3-6 at the cavernous Tunnel event space at 216 11th Avenue in Chelsea (home to the former Bridge Art Fair during Armory week in 2009). The fair will feature two sections, one dedicated to some 30 videos displayed on hanging monitors, and a second area highlighting about eight stand-alone video installations. The list of exhibitors remains in formation, but already includes such spaces as Sabot from Romania and Galerie Gregor Staiger from Switzerland.

The selection is being handled by a distinguished team that includes gallerist Elizabeth Dee, who last year launched the well-reviewed Independent art fair, also during Armory Week — a notable success. "We are hopefully cross-promoting with Independent," Winkleman told ARTINFO. "We are definitely on the same team."

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Winkleman said that the impetus for the new fair came from two separate sources. The first was the "California Video" show at the Getty in Los Angeles two years ago, which featured more than 50 videos in a mixture of large-scale projections and more intimate viewing stations. "It was the best video experience with that many videos I have ever had," said Winkleman, who added the experience provoked a thought: "This is exactly what I should do with a fair."

The second impulse driving the formation of Moving Image was a casual quip from a prominent New York critic during the 2010 Frieze Art Fair: "I never watch video at an art fair — I don't have time." That comment got Winkleman thinking about solving the problem, and his mind returned to the combination of intimate installations and large works offered by the "California Video" show. "The goal," Winkleman said, "is to signal, 'You can spend time here.'"

The price to show a single-channel video at Moving Image is $2,500, or $5,000 to show an installation, with the cost of the buy-in covering equipment and installation. For an international selection of dealers, the format provides the option of just sending the work rather than having to staff a full booth. Or, for dealers who choose to travel to New York, it offers the flexibility of spending time visiting collectors and institutions — activities that Winkleman says he has often found more useful than manning a booth when he has been on the road promoting his gallery.

In the past, Winkleman has shown at Pulse or Independent during New York Armory Week. This year, he will focus exclusively on Moving Image, showing video works by Leslie Thornton and the duo Gulnara Kasmalieva & Muratbek Djumaliev.

Finally, some signal of the new fair's adventurous spirit comes from the image used in its first round of advertising: "Untitled (From the Ant Series)" by David Wojnarowicz, the late artist whose censorship by the Smithsonian has become a national cause célèbre. Winkleman says that he consulted with PPOW gallery, which represents the Wojnarowicz estate, before choosing the promotional image. "No video artist in the world is more talked about right now," Winkleman said. "It just made sense."

Object-Orientation: Bodies and/as Things - exhibition with works by Alex Mirutziu

Added on by Alex Mirutziu.

Artists:

Joseph Barbaccia, Nicole Belle, Melanie Bonajo, Brian Bress, Justin Cole, Monica Duncan, Jessica Harrison, Candice Lin, Samantha Magowan, Max Maslansky, Alex Mirutziu, Yuval Pudik, Macha Suzuki, and Suzanne Wright

WHEN:

February 1 - March 10, 2011

Opening Reception:

Tuesday, February 1, 2011, 3-7 p.m.

Gallery Hours

Day: Monday - Thursday, from 10:30 a.m. - 4:00 p.m.

Evening: Tuesday - Wednesday, 5:00 - 8:00 p.m.

WHERE:

Cerritos College Art Gallery, 11110 Alondra Blvd., Norwalk, CA 90650

The fourteen contemporary artists participating in Object-Orientation: Bodies and/as Things, at the Cerritos College Art Gallery explore a multiplicity of relational transactions and/or transformations between human bodies and the objects that extend, limit, inhabit, and surround them. In so doing, they directly, and/or indirectly, surface current body discourse, particularly the examination of the concept of the body-as-medium (i.e. the organized body in a state of continuous construction and reconstruction, oscillating between holism and fragmentation).

Through drawings, photographs, and videos, as well as mixed-media sculptures/assemblages, bodies (often those of the artists themselves) are presented in various states of articulation with, and/or through, material fragments of the natural/urban environment.

Some artists in the exhibition focus on the disturbing practice, especially in an image-obsessed culture, of the body-as-a-commodity (ie. a 'project' to be 'worked on'), but others seek to purposely lose their subjective egos, at least temporarily, through a process-of-becoming 'pure' object, performatively emulating inanimate, or at least immobile, things. While a few artists revel in the sensuous patterns of pop-cultural consumption, others reveal bodies conspicuously weighed down by those same objects of capitalist consumerism.

Not surprisingly, then, given this context, more than a few artists explore gendered/sexed power relations historically associated with scopophilia and the body-as-thing. In presenting personal and societal anxieties regarding an alienated body-in-pieces, many of the artists resort to hiding the intimacy of the human face, typically through an auto-topographic surrogacy of objects, while leaving the body itself very much exposed. Some artists actually allude to a speculative agency for objects, literally 'skinning' household things or cloaking the human body in a kind of textured camouflage, as if having been infected by the leaky patterning of adjacent objects. Whatever the circumstances, whether the objects (re)presented are anemic or abundant, the works are always held together by the unavoidable, though often unavailable, presence of human flesh and/or human form.

Installing "Critique on how temples move faster than their shadows" at Mihai Nicodim Gallery, Los Angeles

Added on by Alex Mirutziu.




When I have been working in residence at EIRA33 and ZDB - Ze Dos Bois Lisbon, this year for the creation of "When love melted cavalries in our hearts" which was supported by ColectivA - Cluj and Miki Braniste, I've produces a work that stood still like a split second in incomplete stunt, drawing on a neo-romantic paradigm where the experience does not happen while reading the work, its not about what happens on the paper, rather walking away from it.

I've been priviledged to access the best equipment, progressive eloquent designed props and Hollywood studio lights for this unique theory immersed performance - "Critique on how temples move faster than their shadows", hosted by the splendid Mihai Nicodim Gallery - L.A. to give a complete new perspective of this fabulous engagement.

Today I will perform on the humanity of a terrible love; a shared architecture, muscled by words and rude liberty, about ‘fixing of the body’ over the exterior milieu, with the heart poised above the gut, a constructed metaphor for the staticism of love, that sometimes you just have to tell the whole world about it.




Mihai Nicodim Gallery presents for the first time my work in the US - solo exhibition and performance initiated in Lisbon, this December

Added on by Alex Mirutziu.

CRITIQUE ON HOW TEMPLES MOVE FASTER THAN THEIR SHADOWS

December 11, 2010 – February 4, 2011

Mihai Nicodim Gallery, Los Angeles is pleased to announce the first solo exhibition and performance in the US of artist Alex Mirutziu.

Alex Mirutziu is a Romanian artist whose practice extends over a wide range of media and activities, including: writing, photography, media-critical video installations and performance as well as various critical and curatorial projects. His work endows social processes with ephemeral emergence as main constructs in an attempt to reconfigure the relation between information and form, psychophysical language and content, challenging origins and meaning. His most recent work implies a recuperation of the subject between structured death and migration of suffering.

The exhibition opens Saturday, December 11, 2010 at Mihai Nicodim Gallery, 3143 S. La Cienega Blvd, Los Angeles, CA 90016, with a live performance of the artist that starts at 7 PM.

Venue: Mihai Nicodim Gallery

3143 S. La Cienega Blvd

Los Angeles, CA 90016

T: 310.838.8884

www.nicodimgallery.com